Acrylic paint mixing table and color palette for work
Acrylic paints are used to paint a wide variety of surfaces. They are suitable for decorating glass, stained glass, wooden items. Creative work with paints requires the creation of a certain nuance. There are cases when the traditional uniform tone does not fit, but a unique color scheme is needed to emphasize the main idea of the work. The mixing of colors for acrylic paints is ensured by a special table that regulates coloring.
Dye Colors Required
To start working on mixing shades, you need to prepare a basic paint palette. Acrylic paints are distinguished by a dense consistency and a rich, even tone. It is easy and pleasant to work with them. The basic palette of acrylic paints includes the following elements:
- Red;
- YELLOW;
- Brown;
- pink;
- White;
- black;
- blue.
White in the acrylic palette is represented by a special shade, which is called titanium white.
A feature of the staining technique is the inability to accurately predict the outcome.Adding an increased portion of an auxiliary color to the base makes the resulting shade more saturated, so it is almost impossible to calculate the exact proportions. The main condition for working on the combination of paints is to follow the basic rules and understand the principle of technological mixing.
Reference! With 7 base colors available, it is possible to create unique shades for decorating any surface. These rules are at the heart of the acrylic mixing technique.
Color mixing table
Manufacturers of acrylic paints claim that coloring according to a special table, created taking into account the characteristics of the compositions, allows you to get a wide variety of shades for any type of work.
The acrylic paint mixing table is a combination of two charts providing different options to the user. The table shows the basic techniques of mixing tones.
| Shade name | Colors required |
| Light green | Mix of yellow, white, green |
| sea wave | Mix of white, green, black |
| Attorney | Add black and brown to yellow |
| Mandarin | Add red and brown to yellow |
| Ginger | Mix of red with black and brown |
| Burgundy | Mix of red with yellow, brown and black |
| crimson | Mix of blue, white, red and brown |
| Plum | Mix of red, white, blue and black |
| Copper gray | Add white and red to black |
Attention! When working with a colorization table, what matters is which color is taken as the base and which color is added gradually.
How to work correctly with a table
The paints begin to mix, referring to the information on the board.At the same time, technologists recommend observing special rules that save you from typical mistakes:
- it is recommended to take the darkest or lightest tone as the basis;
- auxiliary shades are added to the base in small portions so as not to create an overabundance of tones;
- the mixing of paints should be intense and thorough, due to surface mixing, a situation may arise when an unexpected result occurs during coloring;
- after mixing, a control smear is made, which allows you to determine what the resulting color looks like.
After drying, the paint lightens slightly. This is why it is necessary to do a control staining. After evaluating the result, the client decides whether to add darker tones or lighten the resulting color. It is especially important to perform control coloring when working with cold shades of the palette. These tones are able to behave differently once the finish is completely dry.
Features of working with acrylic dyes
Acrylic paints are great for creating color schemes. A dense consistency and a rich base color allow you to create evenly pronounced tones that adapt well to the prepared surface. There are several things to consider when working with acrylics. They include consideration of the saturation and severity of hues.
Light
Light shades of the color palette are obtained by adding auxiliary colors to titanium white. An example of such coloring is to get light pink tones, honey shades, turquoise or light green color options.
Dark
When working with dark tones, the reverse rule is observed. Black is mixed into the base in small portions, creating a darker shade. If this results in too dark a background, some of the base paint is again added to the mixture.
Black overdose often scares users away. If an error occurs, you must wait until the control smear is completely dry and calculate how much light color you need to add to correct the situation.
Green range
Green is not included in the main color palette. Traditional green is obtained by mixing blue and yellow. After carefully mixing the green tone, auxiliary elements begin to be added to it. When white is added, a light green or jade hue is obtained. Aqua can be obtained by adding black and white colors to green.
Lilac and purple
Lilac and violet colors are a special group of paints. A cool palette results from the combination of pink and red with black or white. The result of staining is interesting shades designed to color any surface:
- lilac;
- eggplant;
- lavender;
- lilac color.
Orange
Orange color belongs to the category of warm shades. Orange is produced by combining the colors yellow and red which belong to the main palette. The intensity of the color can be adjusted by changing the proportions of the primary colors. If you add white to the orange color scheme, the result will be the appearance of interesting options: melon, coral, light peach.
Buried
Brown in the traditional palette is called burnt umber. Using a color wheel with a base in the form of a burnt umber makes it possible to achieve a variety of shades: from beige to woodsy.
A dark brown color is obtained by mixing burnt umber and a portion of black color. The beige shade, which is often used by decorators, is achieved by combining brown with an equal amount of titanium white.
How to work correctly with the palette
To work, you need to prepare the basic tools:
- working brushes;
- palette;
- containers with clean water;
- wet wipes;
- traditional base colors.
For painting, titanium white is placed in the center of the palette. They make it possible to achieve light tones, as well as adjust the saturation of dark colors. The rest of the colors in the palette are placed around the edges. Kohler is added in small portions. Along with this, control strokes are made in a separate area of the palette, and the result is evaluated after the created layer has partially dried.