How by mixing paints you can get green and its 8 best shades
Green is perceived by most people as a shade associated with nature and beauty. In psychology, it is a motivating factor that triggers body mechanisms, stimulating brain activity. Many people know how to achieve the classic green color. Mix blue and yellow in equal parts. To obtain different shades, among which there are more than 110 subtones, special color rules are used.
General rules for the color wheel
There is a color science that defines over 10,000 colors. As a rule, to obtain a color scheme, it is necessary to mix three main components - red, yellow and blue. On their basis, other tones are created, including green. To give the base additional effects, white or black paint is also used.
In color, there is a conditional scale called Itten's color wheel. This is a scheme consisting of 6 primary colors. They are arranged in a special way, when mixing paints from adjacent sectors, a third tone is obtained.
Let's take an example of green color. On the scale of Itten, it is located between the blue and yellow sectors. Therefore, to do this, you need to mix them in equal parts. If you change the aspect ratio, the result will be different shades of green.
How to get shades
Classic green is obtained by mixing yellow and blue. Green is a universal color, characterized by a wide variety of undertones (15 basic shades and more than 100 tones).
Light green
White is added to the classic green paint obtained by mixing. In order for a light color to stand out, you need to mix the base base with a white dye. A warm pastel color is formed.
The amount of white paint can be changed at your discretion. If you add a minimum amount, the color will be dulled. To obtain a bright green pigment with slight overflows, it will be necessary to additionally introduce paint in the color of young grass.
Dark green
To make a dark green, you need to take the base obtained by mixing yellow and blue, add a certain amount of black or brown colors. A dark-colored mass will add a certain effect, it will produce a dark green tint at the output. The only caveat: the amount of black or brown required should be determined by eye.
emerald
Refers to the dark spectrum. The color is extremely popular as it is associated with luxury, nobility and prosperity.
Coniferous
This color belongs to the group of dark shades. To create a rich conifer, you need to add a little yellow pigment. Then a drop of black paint is injected, after which the substance is mixed. If you use a white tone instead of black, you will get a noble "needles in the fog" tone.
Light green
Expressive and bright light green is often used for interior decoration, for summer clothes. It is expressive and catchy, gives brightness and a certain exoticism. To create a light green color, you need to mix blue and yellow.
The result is a classic green hue.To make it brighter, this substance is additionally mixed with a palette of yellow colors.Depending on the amount of dye, a palette of light green shades can be produced, from the bright color of young greenery to an exotic lemon color.
To soften the brightness of the shadow, make it calmer and more balanced, you can add a small amount of white paint.
olive
Olive color is considered one of the most noble, so it is often used for interior decoration. It is soft and unobtrusive, allowing you to shade certain areas of the room, making them more expressive. To obtain the desired shade, the base green is taken. Yellow and brown tones are added drop by drop to the mixture. When mixed, they create a rich olive.
Gray green
This tone is known as "swamp" and "khaki". To obtain a gray-green color, brown and red are used as an additional additive to the classic pigment.
A small amount of green paint, a drop of brown, is introduced into the base pigment. Then, mix the substance thoroughly. To obtain the khaki, 1 to 2 drops of red pigment are injected into the paint.
Blue green
The easiest way to achieve the desired color scheme is to mix 1 part green and 2 parts blue. The result is a pastel blue-green color scheme tied to the thermal color spectrum. By adjusting the amount of pigment, you can bring out both a more saturated and subdued tone.
If it is necessary to change the shade, to create additional effects, white or black paint is introduced into the substance in a small volume.